What is her response to those who question the authenticity of such bold historical revisionism? Bev Thomas never expected to set her first novel in the world of psychoanalytic psychotherapy. Having worked for many years as a clinical psychologist in the NHS, her first attempts at writing included forays into historical fiction. But eventually she found herself writing a novel set in her professional domain. When I began writing it was fundamental for me to think that the characters made psychological sense.
A Good Enough Mother is about grief, motherhood and the complexities of the therapist-patient relationship. Alongside an exploration of therapy, the novel examines the aspirations and limitations of motherhood. What do you do if your child is struggling? How much do you bear letting them find their way? Loss is such a human condition. These universal themes led to A Good Enough Mother being the subject of a five-way publisher auction. She likes the collective work done in creative writing groups.
If you feel supported and contained then I think you can do your best work. Thomas now plans to combine writing with her clinical work. And you write in order to engage and have some kind of connection. So to now have this opportunity to connect with readers through a psychological book is fantastic. The Parisian is a hugely accomplished historical sweep of a book describing the life and times of young Palestinian dreamer, Midhat Kamal.
It encompasses his childhood in Nablus, Palestine, student days in Montpellier, the turbulent years of the first world war and the Palestinian struggle for independence. Her father spent his childhood in Lebanon. The relationship those of his generation have [with Palestine] can be complicated. In the Palestinian diaspora, people either really commit to the Palestinian cause and talk about it a lot, or they want to assimilate. A theme in the book, she says, is the pressure Palestinians feel to somehow speak for their whole country. There is no single Palestinian experience. The life of a Palestinian living in Nablus is very different from a Palestinian living in Gaza or Jerusalem.
Different from living in Jaffa, Syria or Lebanon. Before writing the book Hammad spent about a year in the Middle East, researching — which, she says, was its own adventure. Does she feel a little responsibility, having written a book based on the life of a relative who has the same name as the central character? Her father has read and enjoyed the book. Given the praise The Parisian is already receiving, does she feel the weight of expectation?
I did the work, I did the book. What happens happens. Rosie Price had set her sights on being a writer several years before she started work on What Red Was. It felt so urgent — there was so much I needed to say, and that gave me the momentum to keep going. The novel is an intriguing blend: part comedy of manners, part hard-hitting drama. It follows a young woman, Kate Quaile, as she leaves her modest upbringing in rural Gloucestershire for university. There she meets Max Rippon, a charismatic young man from a privileged background.
She becomes increasingly reliant on the Rippons, both emotionally and financially, so when she is assaulted by one of their inner circle, she finds herself trapped. When Price started writing the novel she was working in a literary agency — a job she had held since graduating three years earlier. She left her job for a more flexible tutoring role, which allowed her to write in the mornings. Inspired by the role of the town common, a public gathering place for the display and exchange of ideas, the Common seeks to deepen We look for poems with strong imagery and interesting ideas that unfold or explode or explore new and unexpected places in 61 lines or less.
We like publishing new poets or new work from more established poets. Please note: though we don't charge Communion is not affiliated with any literary school or movement. We simply publish what moves us. While the magazine is not thematic as such, we lean toward work that in some way reflects the concept of communion — Begun in by novelist and short-story writer Dr.
Terry Dalrymple, Concho River Review has national reach but regional focus, with most authors hailing from or writing about Texas, the Southwest, and the broader South. CRR prides itself on Conduit is a biannual literary journal that is at once direct, playful, inventive, irreverent, and darkly beautiful. Despite common sense and the laws of economics, Conduit has been thwarting good taste, progress, and consensus for The Conglomerate is an online art magazine that publishes text, images, video, audio, and with great respect for each individual artwork, we combine the work of different artists into single pieces that we call conglomerations.
Each artwork will The Conium Review publishes innovative fiction. We like bizarre settings, experimental language, and unconventional plots. We publish an annual print Conjunctions publishes innovative contemporary fiction, poetry, drama, art, and essays by established and emerging writers in America and abroad, providing a forum for the now over contributors whose work challenges accepted forms and modes Digitus Independent Publishers specializes in Spanish, Portuguese, and English literature publications. We house the literary magazine Contrapuntos: A Live Anthology. Our guest editors put together annually the issue adding some of the best Contrary is a quarterly literary journal that publishes commentary, fiction, and poetry and especially specimens that defy those categories.
Founded at the University of Chicago in , it operates independently on the South Cordella seeks to record and share the creative voices of women from all walks of life, exploring the ways that our spirit and sense of self is engaged with our physical place and daily experiences. We honor the diversity of women's spirituality Cordite Poetry Review is a quarterly Australian journal of poetry and its criticism. International authors are most welcome. Each issue is themed broadly , so please be sure to look at our submissions page.
The Cortland Review is an online magazine publishing both established and emerging writers from the print and online worlds. Using audio paired with text to complete the link between reader and writer, TCR provides regular and A writer who has published absolutely nothing will be read Cowboys and cowgirls, heifers, madams, rustlers, train robbers, drifters, grifters, and thieves: Dust off those boots and get out of the out house and back to the rustic life—because we want all western-related material published or unpublished Celebrating over twenty-five years of publishing, Crab Creek Review is dedicated to introducing you to the best writing from the Pacific Northwest and beyond.
We publish both national and international writers in the genres of poetry, fiction, Crack the Spine loves the written word. We publish diverse and sharp literary works, including flash fiction, micro-fiction, poetry, short stories, and creative Crashtest is an biannual online magazine founded and run by the creative writing students at the Fine Arts Center, a public arts high school in Greenville, South Carolina, so that students in high schools all over the country will have a place to We are devoted to publishing memorable and energetic fiction, poetry, and creative nonfiction.
We also feature reviews of contemporary literature and criticism, as well as author interviews, artwork, and comics. CCR seeks to publish not only a Creative Nonfiction draws heavily from unsolicited submissions. The Creative Truth publishes creative non-fiction from new and established authors.
Everyone has a story to tell, and we want to gather interesting, diverse and beautifully crafted true stories, whether they span weeks, months, or just a The Cresset , a journal of commentary on literature, the arts, and public affairs, explores ideas and trends in contemporary culture from a perspective grounded in the Lutheran tradition of scholarship, freedom, and faith while informed We publish two issues a year of compelling poetry, fiction, and literary nonfiction by established writers and new voices alike.
We're global in scope, but with a regional bias. We have no regional, gender or cultural biases. Puveyors of fresh, original and meaningful work, we promote excellent literary fiction and poetry. We are also open to short book reviews of short story and poetry collections, especially from small Dappled Things is a Catholic literary magazine, and this raises the question of what Catholic literature is in the first place.
Rather than give you a pat answer, we invite you as a contributor to help us explore that question. We especially WE publish writing and visual art created in response to an age of massive species loss and ecological collapse. It is a home for dreams, visions, and communications with the nonhuman world, especially those with messages for how First published in , Dash publishes poetry, fiction, creative non-fiction, micro literary criticism, hybrid texts, and artwork by authors and artists of all levels of experience, from first-time submitters through well-published creators Each of these micro-essays can be thought of as an entry into a book on living well We believe writing can be a mirror reflecting the deepest corners of our spirits Since , december has been committed to distributing the work of emerging writers and artists and celebrating more seasoned voices through a semi-annual nonprofit literary magazine featuring fiction, poetry, creative nonfiction, and visual art We have existed since April , and were originally called Decomposition Magazine.
We publish prose, poetry, art, and solicited book reviews. Our e-mail address Deep Overstock is the International Booksellers' Journal. If you're an Deep South Magazine is committed to being a forum for Southern writers and showcasing Southern literature and accepts submissions of original fiction, nonfiction and poetry.
The Deep South has a rich history in literature thanks to The Delmarva Review publishes literary short fiction, creative nonfiction and poetry annually in print and electronic editions. Both are available worldwide via online major booksellers. We welcome new literary work in English from all Radioactive Moat Press began in Pittsburgh, Pennsylvania. It is a nonprofit literary arts organization featuring a bi-annually published electronic journal and a press that specializes in print and electronic chapbooks. Its inaugural publication The Destroyer is a biannual online publication of text, art, and cultural commentary.
We seek poetry, prose, texts with no determinate genre, video, audio, short films, and new media. We believe in an infinite universe, not in limited Diagram is an electronic journal of text and art. As our name indicates, we're interested in representations. In naming. In indicating. In schematics. In the labelling and taxonomy of things. In poems that masquerade as stories; in stories that We like experiments and even failures.
We relish in the avant-garde. We want to encourage risks and redefine narrative. We are not afraid to publish the cruel, the harsh, and the ugly. We love to laugh and bask in the unexpected joy of reading a Diode Poetry Journal is looking for poetry that excites and energizes, that uses language that crackles and sparks. The Doctor T. Our aesthetic is eclectic, literary mainstream to experimental.
We appreciate fusion aesthetics including Now in its thirteenth year, Dogwood seeks work that connects directly with readers. Judges for the competition have included former U. Manette Ansay. Work from Our DoveTales journal is a manifestation of our mission to promote writing that explores the The journal is This magazine is looking for the in-depth authenticity of what the artist can create by dishing out their ideas and feelings.
Our team is looking for a diverse spectrum of essays, prose, short fiction, art, poetry and more! We want pieces that We especially love writing that John Updike once said, "Creativity is merely a plus name for regular activity. Any activity becomes creative when the doer cares about doing it right, or better. The Drum is a literary magazine with a twist. You listen to it.
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We publish short fiction, essays, and novel excerpts exclusively in audio form, read aloud by the author. The Drum is looking for We are looking for original, unpublished fiction and poetry with strong character arcs and immersive description. Build worlds and break hearts. Dual Coast Magazine is interested in just about everything the average reader might enjoy.
We accept photography, recipes, fiction, art, nonfiction, poetry, and even jokes. Please only submit original works. Duende aspires to represent the true beauty and diversity of the U. A majority of the work we publish will be from writers and artists who are queer, of color, differently abled, immigrant, working class, youth, elder, and Dying Dahlia Review is an online literary journal featuring previously unpublished poetry and flash fiction by women writers.
We are looking for work that is brief, but powerful. Make us cry. Make us gasp. Make us shout. Make us feel something The voice of Earthshine is one of illumination, compassion, humanity, and reason. We invite your contributions to our second volume.
We seek poems of high literary quality—poems we can be proud to publish and which we believe will generate their Easy Street provides writers a venue to showcase their work, to discuss the publishing industry, and to share viewpoints on diverse aspects of contemporary life and culture. The Economy is a bi-monthly literary journal that publishes a single poet, prose writer, and visual artist per issue.
Each issue of Ecotone brings together the literary and scientific, the personal and biological, the urban and rural. Much of the writing we publish addresses the idea of place—overlapping habitats both real and aesthetic. We aim to bridge the gap Eleventh Transmission believes art can play a powerful role in creating a better world. We publish socially engaged poetry, fiction, photography, visual art, and spoken word.
We publish exclusively the openings of unpublished novels, accompanied by brief Authors' Statements. In each issue, we feature a range of genres, including literary dramas, mysteries, science fiction, and historical fiction. We emphasize the community of Creative Nonfiction Writers, and the bonds that hold us together as we explore the time and space surrounding our pasts, presents, and futures. Founded in , Empty Mirror publishes new work every Friday. Empyreome pronounced Em-peer-ee-ohm is a quarterly online magazine dedicated to publishing high quality speculative fiction.
The word Empyreome is derived from the Greek empyrean of or relating to the heavens and the suffix -ome denoting Emrys Journal seeks work from both emerging and established writers--send us something we didn't know we were looking for. We accept print submissions through Submittable every August 1-November 1. We accept web submissions year-round; send your We aim to inspire artists to create work celebrating nature and to encourage Eoagh is dedicated to the idea of reading as a process, the productive chaos of investigative poetic work.
We seek Eratio publishes a pdf version of every issue. Eratio Editions, an e-chap publisher, is reading for poetry, innovative narrative prose and recollection, and Escarp explores the potential for super-brief literatures, via the immediacy of text-messages, to provide both writers and the general public with a literary appetizer--a ringing, vibrating love-note from the world of words.
The Esthetic Apostle is an online and print magazine publishing poetry, prose, artwork, and photography. New content is published online monthly and in print quarterly. We look for content expressing the beautiful and sublime. Each day, we publish two new pieces of writing for your reading pleasure. We believe that Eunoia Review can and should be a home Euphony welcomes submissions of unpublished poetry, fiction, essays, reviews, creative non-fiction, and plays. Nearly all our writing comes from outside our staff, and ranges from University of Chicago students as well as authors around the Evening Street Press is centered on Elizabeth Cady Stanton's revision of the Declaration of Independence: "that all men -- and women -- are created equal," with equal rights to "life, liberty, and the pursuit of happiness.
Every Day Fiction is an online magazine that specializes in bringing you fine fiction in bite-sized doses. Every day, we publish a new flash fiction story words or fewer , perfect for your coffee break, your commute, or whenever you have a Exit 13 Magazine is a travelogue in poetry, a reflection of the world we see and a chronicle of the people and places encountered along the way.
Since , the emphasis has been on geography and the fertile ground of the imagination. Printed triannually and distributed around the world, F r iction publishes work from bold, new writers to pioneering leaders in the industry, spotlighting underrepresented voices and celebrating the weird and wonderful. We seek that which is at once original and personal.
When choosing work to submit, be certain that what you have created could only have come from you. We publish poems, stories, and essays with a fairy-tale feel — mainstream to experimental, genre to literary, realist to fabulist. The Fiction Desk publishes a range of short stories from new and emerging authors, with a focus on strong plots and characters.
We're based in the UK, but we accept submissions from authors around the world. Our Mission Fiction Southeast is an online literary journal dedicated to short fiction. We are looking for innovative fiction, fiction that breaks new ground by finding new ways to tell a story. Any length fiction will be considered. Selections from novels will also be considered. They may be on any subject. They may be challenging, experimental, dramatic, playful or exhilirating. Above all they must be well-crafted and The Fiddlehead is open to good writing in English or translations into English from all over the world and in a variety of styles, including experimental genres.
We are always happy to see new unsolicited works in short fiction, creative Field combines fresh viewpoints, editorial discrimination, and attention to the best work being produced in the U. Fields magazine is a print publication designed to spotlight writers, musicians, poets, painters, illustrators, and creative types of all stripes, with an emphasis on the up and coming and the unsung. We are interested in the everyday people who FWJ publishes established and emerging writers.
FWJ is an independent not-for-profit literary magazine based in Lisle, Illinois. Now in its tenth year, FWJ publishes interesting and challenging literature for a diverse reading public across the Figure 1 is committed to writing that reconfigures how we see the world. We aim to publish new and underrepresented voices that push against any slack thinking in the current literary scene.
The purpose of The First Line is to jump start the imagination-to help writers break through the block that is the blank page. Each issue contains short stories that stem from a common first line; it also provides a forum for discussing favorite FishFood Magazine encourages self-expression from daily life through art. Art tends to serve as a coping mechanism from regular shenanigans and obstacles, and Established in , our goal will always be to give light to the voices that are normally hidden from the literary magazine scene. We're mostly dedicated works of art that step way from the norm; that jump into the strange, unique, and Five on the Fifth publishes five short stories on the fifth of every month.
General fiction, flash fiction, horror, fantasy, and science fiction are accepted. Each Monday, The Five-Two website debuts the text and companion spoken-word YouTube video of a poem on the subject of crime, which is open to interpretation. Annual ebooks reprint each year's worth of poems Show us the story. The publication is digital The journal releases a general issue in the spring and a theme issue in the fall.
Silent Desperation: An Eclectic Mix of Short Fiction and Poetry
Floor Plan is committed to providing an arrangement of rooms that pulls readers back into the work that, like anything of quality, requires more than a second glance. We are looking for innovative, luxuriant, insightful human stories—and for things that might surprise us. We like writing that takes risks, affects us deeply, and yet also meets the highest standards of beautiful language and appropriate syntax Based out of Iowa State University, Flyway: Journal of Writing and Environment is an online journal publishing poetry, fiction, nonfiction, and visual art that explores the many complicated facets of the word environment — at once rural, urban, Foglifter is a biannual compendium of the most dynamic, urgent queer writing today.
Folio is a journal of poetry, fiction, and creative non-fiction. We look for work that ignites and endures, is artful and natural, daring and elegant. Without restricting ourselves to a particular genre, media, or theme, we aim to publish interesting, quality works, and every issue has a unique flavour. We aim to be pluralists in our exploration of things neo-modern.
This is not a movement nor is it a pretense to a clear aesthetic criteria as much as a zeitgeist and a de-personalization of the arts. We are like the orphaned children of deposed We believe in the power of words and its ability to bring people together, aiming to increase Asian Foundry publishes a range of styles and forms, from short lyric poems to prose poems and longer narratives.
We are drawn to poems that feel as much as they think. Four Ties Lit Review is an online independent literary magazine. We are committed to the idea that creative writing and photographic arts are forms of expression that are essential to a thriving modern culture. We aim to publish writing and art Four Way Review accepts poetry and fiction from both established and emerging authors. We accept unsolicited submissions year-round through our submissions manager. Fourth Genre is devoted to publishing notable, innovative work in literary creative nonfiction, and are especially looking to provide space to voices less seldom heard from in literary publications.
We think of the genre as flexible, fluid, and We welcome submissions of creative writing that explore the relationship between humans and their environments, both natural and built, urban, rural Free Verse is a bi-annual electronic journal that focuses on publishing the finest free verse being written today. Free Verse is looking for eclectic, sophisticated, accomplished poetry possessed by a sense of poetic intelligence and power.
Freeze Frame Fiction is a quarterly flash fiction publication. The idea: any genre, no content restrictions—just good flash fiction. We pay authors semi-pro rates to publish online and in illustrated ebooks, with an annual print volume in the We seek to publish the best haiku and related forms in the English language as well as the most insightful articles and reviews.
Our purpose is to remain the haiku journal with the largest circulation outside Japan. It is listed in the MLA Thank you for considering Haunted Waters Press. We are an independent publisher located in the shadows of the Blue Ridge Mountains of Virginia along the banks of the Shenandoah River. We publish works from new, emerging, and established writers We publish fiction, poetry, and creative nonfiction from established and emerging writers.
In our pages, work by Best American and Guggenheim Award winning authors has appeared alongside pieces from writers earning their first publication credit We are looking for poetry that pushes language forward, for poets and poems that strive to place themselves at the edge of what language can do. But this does not mean that we are Fterota Logia aims to encapsulate the essence of young adult literature, while also providing a space for open discussion and theorizing of the genre.
Fugue publishes fiction, nonfiction, poetry and experiment pieces. We look for writing that incorporates new The Furious Gazelle is striving to provide the best collection of original writing and art from across the World Wide Web. Before you submit to the Furious Gazelle, ask yourself the Futures Trading finds value in all manner of literary manifestations, especially if they're forward-facing in nature.
We publish new writing and related content on a biannual basis. Gargoyle Magazine has always been a scallywag magazine, a maverick magazine, a bit too academic for the underground and way too underground for the academics. We are a writer's magazine in that we are read by other writers and have never worried As the online journal of the Rocky Mountain Land Library, we publish work that connects people with the land and each other. Read more. Reading Period: Jan 1 to Dec Genre: Poetry.
Genre: Poetry , Fiction , Creative Nonfiction. Genre: Poetry , Creative Nonfiction , Fiction. Genre: Fiction. Reading Period: Oct 15 to Dec Reading Period: Aug 1 to Apr Reading Period: Jan 1 to Mar Reading Period: Aug 1 to May 1. Genre: Creative Nonfiction.
The Review. The Review focuses on writers and artists from or associated with West Michigan. A-Minor Magazine. Genre: Poetry , Fiction. A3 Review.
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Subgenres: Cross-genre. Aberration Labyrinth. Able Muse. About Place Journal. Acentos Review. Acorn: a Journal of Contemporary Haiku. Reading Period: Jan 1 to Mar 1. Subgenres: Micro-poetry. Women's issues or topics. Submissions are accepted by both women and men. Subgenres: Feminist. Adirondack Review. Adroit Journal. Reading Period: Jun 1 to Apr 1. Aeolian Harp Series. Reading Period: Jan 1 to Feb 1. After Happy Hour Review. Reading Period: Jun 16 to May After the Art. Reading Period: Sep 1 to May Airplane Reading. Airplane Reading is a site that features nonfiction writing about air travel.
Alaska Quarterly Review. Reading Period: Aug 15 to May Albion Review. Reading Period: Sep 1 to Nov Subgenres: Experimental , Formal , Literary Fiction. Alchemy: Journal of Translation. Algebra of Owls. Alimentum - The Literature of Food. Reading Period: Oct 1 to Mar All the Sins. Alligator Juniper. Reading Period: Aug 15 to Oct 1. Altadena Poetry Review. Reading Period: Oct 1 to Oct The American Aesthetic. Subgenres: Poetry. American Chordata. The American Journal of Poetry.
Subgenres: Translation. American Poetry Journal. Reading Period: Mar 1 to Apr American Poetry Review. American Short Fiction. Reading Period: Dec 1 to May Ampersand Review. Anak Sastra. Angle Journal of Poetry in English. Angle poetry is acute, possibly oblique, but never obtuse. Rhyme is fine, even if slant, and we incline towards metre. Subgenres: Formal. Angry Old Man Magazine. Subgenres: Experimental. Reading Period: Jun 1 to Sep Anomaly Literary Journal.
Another Chicago Magazine. Reading Period: Jan 1 to Jun 1. Antigonish Review. Reading Period: Sep 1 to Jun Antioch Review. Subgenres: Narrative Nonfiction. Antiphon Poetry Magazine. Aois21 Annual. Reading Period: Jul 1 to Sep 1. Apeiron Review. Reading Period:. Genre: Poetry , Creative Nonfiction. Apiary Magazine. Apocrypha and Abstractions.
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Subgenres: Experimental , Flash Fiction. Apogee Journal. Reading Period: Jun 1 to Jul Appalachian Heritage. Reading Period: Aug 15 to Dec Apple Valley Review. Apricity Magazine. Apricity Press. Those who want an action-packed thriller with one main protagonist and an easily recognisable villain and simple linear storyline. Anyone adverse to poetic, philosophical reflections, or a lace-work of parallel, then inter-twining plot lines may be on a new adventure. We assume that it will one day be published to universal acclaim and that a Hollywood blockbuster will be made from it. Which actors will play the principal roles?
Octavia Spencer would be a bit more mystical than the characters she plays, and Robert Downey Jr. Albert Dupontel would be able to step right into the role with due ageing creams. For Celeste, Newton and Clementine, it gets more difficult. Wait no more! This collection of short stories, poems, book chapters and screenplay is a work of 34 authors from 19 countries. On Thursday 22 November you can meet the authors, hear them read from the anthology and get your hands on your own copy of The Circle, still fresh from the print. One core theme of the anthology is naturally Brussels.
Other themes include travel and immigration, life, love, and loss. Come and listen, come and read, and discover the voices behind the themes. Who are the authors? The Circle brings together new emerging voices and prize-winning authors , including:. Mauricio Ruiz, a poet, short story writer and novelist, has been short-listed for numerous prizes, including the Bridport Prize, Myriad Editions Competition and the Fish Short Story Competition. Arkenberg, Hamed Mobasser and Ocean Smets, have won prizes. Martin for short stories, Todd for his novels, Hamed for film-scrips, and Ocean for poetry.
It is only a matter of time for the other emerging writers in The Circle to have their voices recognised. Who will be reading?
Many of the other authors will be there too — so come and ask them about their work, their dreams and their secrets as to why they write about what they write! And maybe you can get them to recite a poem or extract between the shelves of books while you sip a glass of wine. Commission en direct talked to David about his experience. What drew you to writing? I think it started off with an interest in reading.
And then the more geeky side of my personality has always been interested in imagined worlds, and wondered, how do I go about interesting other people in the products of my own imagination? So, that drew me inevitably to science fiction and fantasy as genres for writing. And then I start analysing the world in terms of, how can I transcribe this stuff into a novel?
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But an architect or someone who aspires to the part will look at it and note the symmetry of the columns or the construction of the portico…. What have you written already? It actually came out of a dream or rather nightmare that I had one night at about in the morning. I woke up and was too scared to go back to sleep, so I noted mentally the main points and then started to write it up as a sort of post-facto rationalisation of what the nightmare was actually about.
I am also working on an epic science fiction novel. I started with the idea of the opening chapter, and the end, and worked my way to the middle from two directions. I set out with the concern that I would not have enough material for even a short novel. And I spawned a monster in the act of writing it! I started going to the Circle in about , and took over running the group in until It was a once-a-week group that subsequently expanded to two, and even three sessions a week, for a while.
During my time, the BWC blog was launched and the annual retreat became a fixture. Very close to where I live. That may not be a total coincidence, I concede…. How has being part of the Circle helped you develop as a writer? So my back is against the wall. Sometimes seriously good writers come along to the group. Some of the feedback is well intentioned but not very useful. This teaches you to filter advice and that is an amazing advantage if you can do it. Filter too little and you will be blown about by the wind. The trick is to find the golden spot in between. Are there any upcoming events?
Prose writers, poets, playwrights, memoirists, screenwriters and bringers of silly bits and pieces, we sweep in from all different occupations and locations twice a week to share our scrawlings with one another. Well, maybe not that last bit. This week we will hear from Jay Harold , brand new co-chair of our Tuesday meetings. When did you join the group? I joined the Circle in February I learned my lesson in the meantime. The prospect of an upcoming BWC meeting leaves me just as enthusiastic and excited today as it did back then. What have you published so far? I was seventeen and very proud at the time.
It described the life of young American hippie with a dark past. I think my most productive time has to have been my year in Essex, though. I had several poems published in anthologies of the University of Essex Writing Society a fantastic gang of merry misfits who were crucial to my creativity at the time. Finally, I post poetry, short stories and sometimes essays on my blog, jayharold. It features characters loosely based on Jack Kerouac, Allen Ginsberg, Arthur Rimbaud, and my writing professor at AUP, all of whom have had a significant influence on me as a writer. Their close relationship to jazz captivates me.
As a result, the exploration of the relationship between writing and music, in the broadest sense possible, is a key point in my work. Some would say that my reverence for the Beats has taken on unhealthy proportions. Inspiration, feedback, validation, motivation — everything that should come along with a collective of writers, does in the case of the BWC. Mimi Kunz — portrait by Maite Morren.
Results so far? Why did you want to work with an external editor on the project? At what stage should a writer consider getting an editor? What did an editor bring to the process? What is usually your biggest challenge when editing? What do you think a writer should look for in an editor?
Arkenberg: Aftershock S. So what kind of challenges are there?
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